Wednesday, October 21, 2015

Tubonge and Copyright Debate

When Ugandan musicians met the president at a evening siesta dubbed Tubonge along the shores of L Victoria at Speke Resort Munyonyo, it was a funfair. Spiced with music, comedy and camera flashlights, the venue was a chatterbox filled with Uganda’s unedited musical voices.
At the end of the sumptuous meal, the president promised a sweetening package of 400 million shillings to be put in their support fund. Accusations and counter accusations of ‘misappropriation’ of the funds are already boiling.
One of the scorns they woke up to a day later was of meeting the president and failing to raise issues of copyright for their music. In defense, some say it was a wrong forum for such an issue.
Music industry in Uganda is still disorganized, and as a result under rewarding in the long term. Ask James Wasula, secretary general of the Uganda Performing Rights Society (UPRS), a collecting society managing music performing rights. Whereas UPRS has a structure for collecting fees from users of music; radio stations, hotels, conference venues, discotheques among others, the collections are meager.
Despite the increase in numbers of potential collection points, the individual benefits of artists from their works are short lived, in relation to copyright aspects. Commercial benefits of music and artistic works in Uganda are catered for under the Copyright and Neighbouring Rights Act, 2006 and the Copyright and Neighbouring Rights Regulations of 2010.  
The implementation of this act is the problem, not the lack of a presidential statement at a dinner besides a lake.
In this crowded city, musicians get their money from concert/musical performance sales, corporate endorsements, participation in commercials and other social performance gigs. The CD sales, airplay revenue and royalties are just a peanut that would not meet the cost of the next trip to the recording studio.
An announcement by the president at Munyonyo would have little, if any, effect to the copyright implementation.In fact, he has through his government set for them the ground to achieve more than a mere statement. The acts and regulations have been passed to cater for intellectual property, and that contains copyright issues.  Institutions like police, judiciary, Uganda RegistrationService Bureau are already in place.

The artists themselves are supposed to be ‘lead actors’ in promoting the copyright benefits of their work.

Tuesday, October 13, 2015

Wakaliwood – A Breed of Ugandan Film

Over the course of this year, one Ugandan film producer has received more international reporters at his studio and home than all the rest in the field. Newspaper, radio, television, online, he has welcomed them all to his Wakaliga based Ramon Film Productions.
 Isaac Nabwana is the man behind Ramon Film Productions, and Wakaliwood, the new slogan coined out of Wakaliga slum, on the outskirts of Kampala, where his studio is located.
In one of the latest reports, Aljazeera’s Malcolm Webb describes Nabwana as “Uganda's rockstar filmmaker. He produces a new film every month, most with a budget of around $200, attracting millions of views online and filling seats at local theaters,”.
One of the most watched trailers from this production house is a trailer titled Who Killed Captain Alex?. Other films include: tebaatusasula, (they don’t pay us), Bad Black, ‘crazyPeople’ – Ani mulalu and about 50 others.
“It is a surprise that he did not feature anywhere in this year’s Uganda film festival awards,” says Muloma Timothy, one of Wakaliwood films’ fan. “He is flying our flag high outside Uganda, especially in these hard and chaotic times of election”.
With his friends and neighbors, Nabwana is turning Wakaliga into a home of film production.

Friday, October 2, 2015

Ugandan Doctor Invents Ebola Rapid Diagnostic Test Kit, Files for Patents

A Ugandan doctor, Misaki Wayengera, has filed to World Intellectual Property Organization (WIPO) and the African RegionalIntellectual Property Organization (ARIPO), for patents of his innovations in biometric interventions that include an HIV-1 cure and rapid tuberculosis diagnostics. 
His rapid diagnostic test (RDT) for Ebola virus disease (EVD) is able to detect Ebola recombinant antigens in less than five minutes.

In an article by Agnes Nanyogo, published on the website http://www.internationalhealthpolicies.org, titled “Ugandan innovation could end up being manufactured elsewhere: the plight of a young scientist in Africa”, it reveals that Wayengera kicked off his research with the EVD RDT under start-up (2008) biotech Restrizymes Biotherapeutics (U) limited.
Among the challenges he has faced is shortage of funds to facilitate his research.

Dr Wayengera then resorted to applying for funding from Grand Challenges Canada in 2013;  he was awarded a grant worth CAN$100,000. In addition, Grand Challenges Canada was willing to award to him an extra one million dollars for his research, if matched by financial commitment [of any value] to the project by his home Government. Subsequent efforts to secure local funding from the Ugandan government through follow up letters and social media pressure were futile. Luckily, in a rare turn of events, a breach of the prevailing rules and in a show of trust, Grand Challenges Canada offered Dr. Wayengera and his research team CAN$1.5 million, possibly due to the devastating EVD in West Africa and beyond.  The money enabled Dr. Wayengera and his team to continue with their research which led to a breakthrough innovation,” 



Wayengera is now looking to manufacture and scale up his technology in North America.