Wednesday, October 21, 2015

Tubonge and Copyright Debate

When Ugandan musicians met the president at a evening siesta dubbed Tubonge along the shores of L Victoria at Speke Resort Munyonyo, it was a funfair. Spiced with music, comedy and camera flashlights, the venue was a chatterbox filled with Uganda’s unedited musical voices.
At the end of the sumptuous meal, the president promised a sweetening package of 400 million shillings to be put in their support fund. Accusations and counter accusations of ‘misappropriation’ of the funds are already boiling.
One of the scorns they woke up to a day later was of meeting the president and failing to raise issues of copyright for their music. In defense, some say it was a wrong forum for such an issue.
Music industry in Uganda is still disorganized, and as a result under rewarding in the long term. Ask James Wasula, secretary general of the Uganda Performing Rights Society (UPRS), a collecting society managing music performing rights. Whereas UPRS has a structure for collecting fees from users of music; radio stations, hotels, conference venues, discotheques among others, the collections are meager.
Despite the increase in numbers of potential collection points, the individual benefits of artists from their works are short lived, in relation to copyright aspects. Commercial benefits of music and artistic works in Uganda are catered for under the Copyright and Neighbouring Rights Act, 2006 and the Copyright and Neighbouring Rights Regulations of 2010.  
The implementation of this act is the problem, not the lack of a presidential statement at a dinner besides a lake.
In this crowded city, musicians get their money from concert/musical performance sales, corporate endorsements, participation in commercials and other social performance gigs. The CD sales, airplay revenue and royalties are just a peanut that would not meet the cost of the next trip to the recording studio.
An announcement by the president at Munyonyo would have little, if any, effect to the copyright implementation.In fact, he has through his government set for them the ground to achieve more than a mere statement. The acts and regulations have been passed to cater for intellectual property, and that contains copyright issues.  Institutions like police, judiciary, Uganda RegistrationService Bureau are already in place.

The artists themselves are supposed to be ‘lead actors’ in promoting the copyright benefits of their work.

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